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9200 Narayan's Choice of 'for' Instead of 'of' in the Title "A Tiger for Malgudi". This six-page undergraduate paper explains why Narayan choose the word 'for' instead of 'of' in the title "A Tiger for Malgudi". The story is filled with Hindu philosophy and mysticism. The Introduction is very important for understanding the themes. 6 pgs. Bibliography lists 1 source.
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9419 An Analysis of "The Train to Pakistan" by Khushwant Singh. This paper will discuss the nature of the book "The Train to Pakistan" by Khushwant Singh and seek to understand the motivations of violence that are so apart of the novel he has written. By clearly seeing the violence that as committed in the paper as communal, we can understand that violence never happens in a vacuum, and that, even in this tale, it takes a chain of events that bring violence at the scale that Singh has made in his novel. 3 pgs. Bibliography lists 1 source.
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6455 "Ramayana": An Analysis. This three-page undergraduate research paper compares and contrasts the characters of Prince Rama and his wife Sita in the epic Indian poem, Ramayana, translated by R. K. Narayan. 3 pgs. Bibliography lists 3 sources.
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6517 Midnight's Children and Magical Realism: To what extent can Midnight's Children Be defined as a Magic Realist novel? This paper demonstrates that the novel "Midnight's Children" by author Salman Rushdie is an example of magical realism rather than the fantasy genre. Examples through the use of politics, the post- colonial state of India, and the role of the character Saleem Sinai are used to prove this statement. 7 pgs. Bibliography lists 5 sources.
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11281 A Lost Self: The Narrator of V.S. Naipaul's "Tell me who to Kill". This three-page undergraduate paper explores the instability of the life of the narrator of V.S. Naipaul's story "Tell me who to Kill," especially discussing the use of movie references in the text. 3 pgs. Bibliography lists 1 source.
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15626 Karna And The Physics Of Power In chapter 12 of The God of Small Things by Arhundhati Roy she (Arundhati Roy)ushers us into a performance of the story of Karna from the "Mahabharata", as presented by kathakali dancers in the empty temple in Ayemenem. The paper explains what the story of Karna can teach us about the "physics of power."
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